Berkey's setting of "Cibola" masterfully captures the essence of Native American Phillip White Hawk's style from a very masculine and dynamic vocal timbre to a falsetto. Exciting to sing!
Colossians 3:1 SDG 01-302 Treble Chorus $2.60
Organ, Keyboard, Large bell and
assorted small hand-held bells 4’ 24 pgs.
2001 commission from Trinity Episcopal Cathedral Choristers, Diane Hurley, Director, Omaha, NE. Two-part treble plus obligato. Colossians 3:1 is in three sections which proceed without interruption: Processional, Anthem (“Risen with Christ”), and Recessional (“Dancing Lights”)
Contemporary setting of 6th C. Gallican Chant. Varied tempi and vocal color occur as the text is mixed throughout in Latin and English. Commissioned by the Seattle (WA) Girls’ Choir, Dr. Jerome Wright, Founder and Artistic Director.
Setting of text attributed to St. Patrick, specifically “St. Patrick’s Shield” or “Breastplate”, also known historically as “Deer’s Cry”. The text speaks to the continuing presence of Christ and His salvation throughout our modern world. Commissioned for Ed Brodnicki by his loving wife, Judith.
First Noel SDG 05-102
Mixed Chorus, Oboe, & Harp
A very melodic, slow setting of the traditional carol. Idiomatic and soloistic oboe and harp writing throughout.To the Master Singers -- Dr. Gary Schwartzhoff, Conductor
For All The Saints SDG 97-108 Mixed Chorus $3.60
Congregation or Audience, Organ
and Piano 4’ 20 pgs.
Commissioned for Pat Ruigh (Organist, Chorister and Accompanist) by the First United Methodist Church Chancel Choir, Iowa Falls, IA, Richard Dewein, conductor. The setting combines the famous Vaughan-Williams melody and text with the lesser known John Barnby hymn tune in a celebration of faith and promise.
Genius of the Wood SDG 07-301, Treble Chorus $4.75
Pipe Organ, 7’, 24 Pgs.,
Genius of the Wood was commissioned for the Peace College Chamber Singers of Raleigh, NC, for their performances at the College’s sesquicentennial and the Singers’ 2007 European Tour. The text from John Milton’s Il Penseroso determines the work’s five sections. The piece awakens with the quietest breath from the organ, followed by a sweet and free canon in the voices. The voices coax the organ to unleash, slightly reminiscent of Tschaikovsky, until dissolved into ecstasy as all Heav’n is brought before our eyes.
Gloria In Excelsis Deo! SDG 91-100 Treble Chorus $1.40
SDG 91-103 Mixed Chorus
Treble Chorus, Keyboard, opt. SynthesizerSynthesizer part included 2.5’ 12 pgs.
Gloria in Excelsis Deo! was written on commission from Dan Nelson for the Edina High School Choirs, Edina, Minnesota. In both its original SSAA setting and in the SATB version, it is a vibrant, intense setting of a small portion of the Gloria text. Its rhythmic variety is immediately apparent and combines beautifully with varied vocal textures throughout. The choral score includes, on its last two pages, an optional synthesizer part to be used in conjunction with the piano part.
Gloria In Excelsis Deo! WW 1280 Mixed Chorus, a cappella
(Walton Music) 2.5’ 8 pgs.
A 2001 addition to Berkey’s “Competition Series.” Combine the highly rhythmic piano part and the vocal lines of the original accompanied work and you have an exciting a cappella competition piece. Latin text throughout. Contact Hal Leonard, Walton Music distributor, to order.
God Be In My Head SDG 93-104 Male Chorus $1.25
SDG 93-105 Treble Chorus
SDG 93-106 Mixed Chorus a cappella 3.5’ 8 pgs.
God Be In My Head was commissioned by Gary Schwartzhoff and the Singing Statesmen at the University of WisconsinEau Claire. It is structured around original chant-like melodic fragments which are hinted at in the optional “celebrant” solo at the start of the piece and then fully stated in the first three ad libitum measures before being interpolated throughout the remainder of the work. Expressive throughout, the setting exploits the dynamic and vocal ranges of the chorus while exploring both mixtures and combinations of tertian and quartal harmonic structures.