Extended Choral Works page 16

Cantate 2000
SDGM 2000 Treble Chorus $8.95
SDGM 01-100 Mixed Chorus $9.95
Piano, Marimba I-II, String Bass, Percussion 22’ 56 pgs.

A joint commission from the Phoenix (AZ) Boys Choir (Georg Stangelberger, conductor) and the Tucson Arizona Boys Chorus (Julian Ackerley, conductor). Cantate 2000 is a major composition for treble (or mixed) chorus, keyboard, two five octave marimbas, double bass, optional strings (organ) and percussion. It is in four movements, the first three of which are performed without pause. Latin texts from biblical sources are employed throughout.

Titles: Resonet in laudibus
Super flumina BabylonisTerra aliena Cantate Domino

Cantate 2000 Percussion Parts
SDGM 2000MBP $25.00
Marimba I-II, String Bass, Percussion I-II Parts

Cantate 2000 Piano 4-Hands Part
SDGM 2000P4H $16.00
Allows performance of treble or mixed chorus versions without marimbas. Percussion still recommended.

Cantate 2000 String Parts
SDGM 2000STG $75.00
Violin I-II, Viola, Cello, Bass 88555

Cantate 2000 Full Score
Mixed Chorus
SDGM 2000FSM $25.00

Cantate 2000 Full Score
Treble Chorus
SDGM 2000FST $25.00

Come, Follow Me!
The Easter Celebration
SDG 93-107 $10.95
Mixed Chorus, Piano, Organ, Dramatic Reader, SATB and Spoken Solos, Percussion (3 stands, one player), instrumental parts ordered separately 42’ 144 pgs.

Come, Follow Me! is a full-service, dramatic presentation for Palm Sunday, Good Friday, Easter Sunday, or during the Great Fifty Days following the Resurrection. It is a compelling, eclectic composition that depicts the calling of the Twelve Apostles, their relationship to Jesus in the final days prior to the Crucifixion, and their joy in the Resurrection. Numerous solos, choruses, and a dramatic reader bring the Easter scriptures vivdly to life!

Titles: Joy, Great Joy! • Come, Follow Me • The Priceless Touch • Mary Magdalena Rejoice! Rejoice! • Gently, Gently • Hosanna! Simon Peter • Gethsemane Prayer • Peter’s Denial • The Crucifixion • The Earthquake • Our Lord is Risen! • Finale: Hosanna!

Come, Follow Me! Organ score
SDGM 93-107 ORG $10.00
Organ part for Come Follow Me!, Easter Cantata for Mixed Chorus.

Come, Follow Me!
Percussion score (3 books)
SDGM 93-107 PERC $15.00
Percussion parts for Come Follow Me!, Easter Cantata for Mixed Chorus.

Come, Follow Me!
Conductor’s Full Score
SDGM 93-107 FS $75.00
Full Score for Come Follow Me! Easter Cantata for Mixed Chorus
Also available for chorus and orchestra

Come, Follow Me!
Orchestra Parts and Conductor’s Score
SDG PARTS 93-107 $325.00
Percussion I-II, Timpani, Piano, Strings (2222, 2221), opt. Pipe Organ. Contact publisher for rental pricing for chamber orchestra parts and conductor’s full score.

Come, Follow Me!
SDGPRESS CD 93-107 $15.00
Earthquake Sound FX / COME
FOLLOW ME CD

Choral Excerpts also available:

Come, Follow Me!
W 3410 (Walton Music) $1.35
Mixed Chorus, Keyboard 4.5’ 12 pgs.

Dynamic and powerful, this excerpt from the Easter Celebration, Come, Follow Me! offers a wonderful challenge to singers and instrumentalists alike. It’s multi-rhythmic structure highlights and strengthens the powerful language of its text: “Take up thy cross, take up thy cross and follow me, follow Christ the Lord!” It also features the calling of the Apostles with shouts of the twelve names emanating from the choir.

Gently, Gently
W 3408 (Walton Music) $1.35
Mixed, Alto Solo, Keyboard 4.5’ 12 pgs.

“And the people brought young children to Jesus for the touch of His precious hand.” This narrative from Come, Follow Me! serves as the catalyst for this beautiful, lilting lullaby. Uncomplicated in its vocal structure, Gently, Gently offers lyrical, memorable melodic choral lines and features an alto solo midway in the piece. The text also is suitable for a Children’s Day presentation: “Gently, He reached out to them. Tenderly, He called them to Him. Gently, He touched them in his way. Bring them to Me. Don’t turn them away. Suffer the little children to come to Me. Let the children come to Me; of such is the Kingdom of God, my Father.”

Extended Choral Works page 16